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Good Thursday TV Coverage of the Kindle Lawsuit


At around 4:00 Thursday afternoon, I was contacted by Melissa Blasius with Channel 12 News in Phoenix and asked if I could be available at 5:30 to be interviewed for a story that would run on the 10:00 newscast. I discovered I could prepare myself and make the necessary transportation arrangements for this sort of work within one hour after receiving the request.



You may now watch the video of the story on the 10:00 evening news. An article was also written based on this story, though its text is significantly different from the dialogue on the newscast. A copy of the article's text is provided for easy accessibility.



My thanks go to Chris Skarstad (Toonhead) and CathyAnne Murtha of the Access Technology Institute for their vital assistance making it possible to bring to all of you a direct link to the video despite accessibility issues with the 12 News web site.


Lawsuit says ASU discriminates by using e-books



by Melissa Blasius - Jul. 2, 2009 11:13 PM



12 News



A journalism student has filed a discrimination lawsuit against Arizona State University.



Darrell Shandrow, a junior, wants the university to delay a pilot program for electronic textbooks and readers called Kindles. He says the devices, made by Amazon, are impossible to use by visually-impaired people.



Sandrow, who is blind, says Kindles have a text-to-audio function that can read the books out loud, but he claims on-screen menus have no audio functions. That means he could never navigate to page one. Blind students would have to continue ordering specialty texts in braille or audio formats, and those books can take months to arrive.



Shandrow said, "Asking us to continue on as we're going is like saying to sighted students you are climbing on to jet age with your e-books, but blind students still need to use the horse and buggy."



The National Federation of the Blind and the American Council of the Blind are also plaintiffs in the lawsuit, which claims ASU's use of Kindles would put blind students on unequal footing.



An ASU spokesman sent a response to 12 News. It said Kindles would be used "for a single course where students may also access traditional textbooks."



In the statement, Spokesman Virgil Renzulli also said all campuses have Disability Resource Centers "providing the necessary tools so that all students with disabilities have an equal opportunity to be successful in their academic pursuits."

Web Accessibility News

Latest goings-on in the web accessibility community. Found all on a valuable resource, Twitter!


Usability (and Accessibility) Tweetup in Ann Arbor, July 18

Ross and I are organizing a Usability (and Accessibility) Tweetup in Ann Arbor on Saturday evening, July 18th. Hope you can join us!
  • What: “Usability Tweetup”
  • When: 7pm, Saturday, July 18, 2009
  • Where: Ann Arbor Brewing Company in downtown Ann Arbor [Google map]
  • Why: To discuss web usability, web accessibility, Twitter; socialize; drink beer


Positive TV News Coverage of the Kindle Lawsuit Against ASU


Shortly after 9:00 Tuesday morning, I was contacted by Tim Vetscher with Channel 15, a local ABC affiliate in Phoenix, and asked to participate in a story on the Kindle lawsuit. He picked me up at 10:15 and we went to a nearby bar-restaurant establishment called Four Peaks Brewry, where he and Toby Phillips, a senior broadcast journalism major at the Cronkite School, talked with me for almost 45 minutes. The interview included a demonstration of Braille reading and accessible technology, part of which made it into the TV story.



After viewing the story, Chris Danielsen, director of public relations for the National Federation of the Blind, said: "Nice job on this. I see that they didn't get the nuance that books can be read aloud by the Kindle DX; it's the navigation that's not accessible. Still, I think we got our point across."



The story ran on the 6:00 evening newscast. I am happy to report that you can now watch the video or read the transcript below.



Reported by: Tim Vetscher

Email: tvetscher@abc15.com



Darrell Shandrow, a junior at ASU, is suing the university over its use of the Amazon Kindle for textbooks. (Tim Vetscher)



TEMPE, AZ -- A student at Arizona State University is suing the school over a new electronic textbook reader.



Junior Darrell Shandrow calls ASU's new pilot program to use the Amazon Kindle e-book reader in some classes this fall discrimination.



"I believe it's important for blind and visually impaired people to have the same opportunity to participate the sighted already enjoy," said Shandrow.



Even though he can't see, Shandrow doesn't shy away from technology.



Thanks to a screen reading program, Shandrow uses a labtop computer that talks to him and tells him what's on the screen.



That kind of accessibility, Shandrow says, helps him to attend ASU, where he's a junior in the Walter Cronkite School of Journalism and Mass Communication.



When ASU announced plans to begin using the Amazon Kindle as a textbook reader, Shandrow immediately had concerns.



"It's saying we're giving sighted students a new avenue for reading but we're not granting the same facility to blind and visually impaired students,"
said Shandrow.



Shandrow claims the Kindle lacks text-to-speech technology and therefore makes it accessible only to sighted students.



So Shandrow filed a lawsuit against ASU hoping to stop the use of the Kindle.



"We want the pilot program, we just want it to be accessible," said Shandrow.



An ASU spokesperson released the following statement to ABC15: "Arizona State University is committed to equal access for all students. Disability Resource Centers are located on all ASU campuses. The Centers enable students to establish eligibility and obtain services and accommodations for qualified students with disabilities. These efforts are focused on providing the necessary tools so that all students with disabilities have an equal opportunity to be successful in their academic pursuits."



"I feel the need for equal accessibility, that is to have an accessible Kindle reading device and accessible books, is a civil right," said Shandrow.



Amazon claims to be working on adding navigation accessible to the blind for the Kindle.



Shandrow says until that happens, the Kindle e-book reader should be shelved.



In the interest of full disclosure, reporter Tim Vetscher is an adjunct professor at the Walter Cronkite School of Journalism and Mass Communication at Arizona State University.

Twitter allows protesters to communicate to the world

A big triumph for social media, as Twitter proved it's a conduit for more than just updates on what you ate for breakfast this morning.

Critics Slam Digital Britain Report

A long-awaited road map for the U.K.'s tech future drew fire from opponents of a proposed broadband tax and of efforts to curtail illegal file-sharing

UK Universities plan to become world leaders in on-line distance learning

A new task force to ensure our universities become the first choice across the world for on-line distance learning has been announced by Higher Education Minister, David Lammy.

European Commission calls for an open, independent and accountable governance of the internet

The European Commission, the executive branch of the European Union, called in a strategic document for more transparency and multilateral accountability in the governance of the internet.

Do snap pictures on sports day, says Information Commissioner

Parents wishing to capture the moment their child crosses the finish line at their school sports day should not be deterred by data protection myths.

Becta calls for ‘Know IT All’ resource to be used in all primary schools

Professor Tanya Byron launches pioneering new e-safety resource for primary schools.

EU launches “Click a Tree” online climate change campaign

The European Commission has launched its new initiative “Click a Tree” in a drive to raise awareness of the actions we can all take to fight climate change and protect the environment.

Impasse on HTML 5 video

The video element is the one that seems to excite n00bz the most when I do introductory talks about HTML 5, yet it was always the element that seemed to me to be furthest away from cross-browser interoperability. Originally, the specification (being an Open Standard) said User agents should support Ogg Theora video and Ogg Vorbis audio, [...]

PictureSlides 2.0 - highly customizable option to create JavaScript slideshows

I’ve had a few versions of my PictureSlides to create JavaScript slideshows, but now it has been completely rewritten and jQuery-optimized with some new control and features.

The background story is that I needed a basic version of it in a client project, so while I had dusted it off, I took some extra time of my own to rewrite it and specialize it for jQuery, as well as working out some kinks it had.

An example image of PictureSlides

The new version, 2.0, offers:

  • Any number of slideshows in the same page.
  • Nice CSS-based presentation features, like dimming out the background (Lightbox-like), autoplay, linking chosen images to another web page at click, thumbnail charts etc.
  • Correctly waiting for images to load before display time is being started.
  • Possible to customize errors if an image fails to load.
  • Completely builds on top of existing HTML code, making it very easy to use it on top of a non-JavaScript base version.
  • New JSON-object like syntax for each PictureSlides instance
  • No extra settings file - all settings are in each slideshow instantiation, making it each instance completely customizable

A few PictureSlides demos

I have created three fairly simple demos of PictureSlides in action, where you can download all the code for each demo in a single package which will work right away for you:

How to use it in a web page

Here are some basic instructions, taken from the PictureSlides implementation page.to help you get started (in the implementations page, you will also find all available settings).

Include JavaScript files

Start by including the latest version of jQuery (Minified version suggested):

<script type="text/javascript" src="js/jquery-1.3.2.min.js"></script>

Then, include the PictureSlides file:

<script type="text/javascript" src="js/PictureSlides-jquery-2.0.js"></script>

Then, within the web page or a separate JavaScript file, you can customize how PictureSlides should work and how it should be presented. You can also have any number of slideshows in the same page.

Create an HTML page

Create a web page where you put all the HTML that you want to use. This is example HTML prepared for being used with PictureSlides. NOTE! Each slideshow has to be surrounded with an element with the class picture-slides-container.

<div class="picture-slides-container">
	<div class="picture-slides-fade-container">
		<a class="picture-slides-image-link"><img class="picture-slides-image" src="pictures/1.jpg" alt="This is picture 1" /></a>
	</div>

	<div class="picture-slides-image-text">This is picture 1</div>

	<div class="navigation-controls">
		<span class="picture-slides-previous-image">Previous</span>
		<span class="picture-slides-image-counter"></span>
		<span class="picture-slides-next-image">Next</span>

		<span class="picture-slides-start-slideshow">Start slideshow</span>
		<span class="picture-slides-stop-slideshow">Stop slideshow</span>
	</div>

	<ul class="picture-slides-thumbnails">
		<li><a href="pictures/1.jpg"><img src="thumbnails/1.jpg" alt="" /></a></li>
		<li><a href="pictures/2.jpg"><img src="thumbnails/2.jpg" alt="" /></a></li>
		<li><a href="pictures/3.jpg"><img src="thumbnails/3.jpg" alt="" /></a></li>
		<li><a href="pictures/4.jpg"><img src="thumbnails/4.jpg" alt="" /></a></li>
		<li><a href="pictures/5.jpg"><img src="thumbnails/5.jpg" alt="" /></a></li>
		<li><a href="pictures/6.jpg"><img src="thumbnails/6.jpg" alt="" /></a></li>
		<li><a href="pictures/7.jpg"><img src="thumbnails/7.jpg" alt="" /></a></li>
		<li><a href="pictures/8.jpg"><img src="thumbnails/8.jpg" alt="" /></a></li>
	</ul>
</div>

Create JavaScript code

Then, for each slideshow you want, generate a PictureSlides JavaScript block to create all the settings. For example:

<script type="text/javascript">
	jQuery.PictureSlides.set({
		// Switches to decide what features to use
		useFadingIn : true,
		useFadingOut : true,
		useFadeWhenNotSlideshow : true,
		useFadeForSlideshow : true,
		useDimBackgroundForSlideshow : true,
		loopSlideshow : false,
		usePreloading : true,
		useAltAsTooltip : true,
		useTextAsTooltip : false,

		// Fading settings
		fadeTime : 500, // Milliseconds
		timeForSlideInSlideshow : 2000, // Milliseconds

		// At page load
		startIndex : 1,
		startSlideShowFromBeginning : true,
		startSlideshowAtLoad : false,
		dimBackgroundAtLoad : false,

		// Large images to use and thumbnail settings
		images : [
			{
				image : "pictures/1.jpg",
				alt : "Picture 1",
				text : "This is picture 1"
			},
			{
				image : "pictures/2.jpg",
				alt : "Picture 2",
				text : "This is picture 2",
				url : "http://robertnyman.com"
			},
			{
				image : "pictures/3.jpg",
				alt : "Picture 3",
				text : "This is picture 3",
				url : "http://456bereastreet.com"
			} // NOTE! No comma after the last object
		],
		thumbnailActivationEvent : "click",

		// Classes of HTML elements to use
		mainImageClass : "picture-slides-image", // Mandatory
		imageLinkClass : "picture-slides-image-link",
		fadeContainerClass : "picture-slides-fade-container",
		imageTextContainerClass : "picture-slides-image-text",
		previousLinkClass : "picture-slides-previous-image",
		nextLinkClass : "picture-slides-next-image",
		imageCounterClass : "picture-slides-image-counter",
		startSlideShowClass : "picture-slides-start-slideshow",
		stopSlideShowClass : "picture-slides-stop-slideshow",
		thumbnailContainerClass: "picture-slides-thumbnails",
		dimBackgroundOverlayClass : "picture-slides-dim-overlay"
	});
</script>

The most interesting part above is where you define what images should be used, what text they should have, and if they should link somewhere when being clicked:

images : [
	{
		// Path to large image
		image : "pictures/1.jpg",
		// Alternative text for large image
		alt : "Picture 1",
		// Descriptive text of large image
		text : "This is picture 1",
		// Optional. Address to link large image to
		url : "http://robertnyman.com"
	},
	{
		image : "pictures/2.jpg",
		alt : "Picture 2",
		text : "This is picture 2",
		url : "http://robertnyman.com"
	},
	{
		image : "pictures/3.jpg",
		alt : "Picture 3",
		text : "This is picture 3",
		url : "http://456bereastreet.com"
	} // NOTE! No comma after the last object
]

Download

To get the PictureSlides code, download the PictureSlides 2.0 JavaScript file, or use the code in either of the demo packages.

Where do you think you’re going? (Directions of Travel)

The Where Do You Think You’re Going..? conference about ‘Digital Transport’ was held at Hoult’s Yard in Newcastle last week and I was one of the attendees.

The event was split into four main parts, with a few bits of housekeeping stuff chucked in at the start – an introduction to Hoult’s Yard, a bit of history about it, an introduction to the event and so on, and some welcome stuff from Hannah Bryan. I have to give Hannah a special mention as the conference was arranged in a remarkably short space of time — seemingly about three weeks from basic idea to conference — and it seemed to run without any hitches.

The basic premise was to have an informal event, with the opportunity for people to contribute and joiin in the debate as to how exactly to harness new technologies within the sphere of transport

The first part of event “proper” was entitled Directions of Travel, and, in common with the rest of the event, featured speakers who would speak briefly and then allow the opportunity for questions.

Eric Sampson

…who was chairing this event, kicked off this first session. He looked at the issue of broadband availability per hundred people (note: as differentiated from broadband takeup). He noted that the UK’s broadband availability per hundred people was fourth in the world, with only Denmark, the Netherlands, and South Korea having greater availability of broadband (although I have been unable to find any reference to confirm this).

The question was, how will this increased use of broadband change the way we use transport?

Nick Illsley

…the Chief Executive from Transort Direct was next up, with the plan to tell us how. He started with a history of transport, and how the rail system led to the idea of ‘common time’: it’s no good having a published timetable if different towns think that the current time differs considerable.

He suggested also that transport is a form of communication and therefore depends heavily on information.

Transport Direct’s goal is to join up the various modes of transport — rail, bus, coach, light rail, car, ferry, air, walking, cycling … and seemingly anything else you can think of.

Nick said that:

The complexity of life requires an awareness of location and the ability to travel between placesNick Illsley

…and that what is more important to consider is the fact of your travelling, rather than which particular ‘piece of tin’ you use to travel in.

He indicated that Transport Direct had 350,000 bus stops coded to within 1m accuracy (they had expected 330,000 but when adding the data, discovered that various networks had 20,000 more bus stops than they had realised). This data has now been shared with google maps to enable more mashing.

Here he insisted that the quality of the data is key: if there are 100 billion public transport ‘pairings’ (based on possible starting points and destinations), then 99% accuracy would still result in one billion potential journeys being wrong.

As transport is becoming more localised — initially devolved to Scotland, Wales and Northern Ireland, and with the Local Transport Act devolves power and responsibility further to the Local Authority Level.

Nick also raised an interested question for anyone designing a transport planning interface for the end user. Should you consider the end user to be more like Spock or Homer Simpson? The Spock interface would be a complex interface with a lot of options, would require more initial effort by the user but would result in the best possible result. The Homer Simpson interface however would be much, much simpler to operate, and would not necessarily return the best result, but would return a better result than would otherwise have been found.

He suggested that we may need to consider when developing journey planners that the Homer Simpson route may be the most appropriate.

He also compared what he felt the public and private sectors do well in comparison to one another: for example, the public sector can maintain higher data standards, better data collation and audit, and can address issues of market failure. In comparison, he suggested that the private sector was better at customer facing services and revenue generation (and also bizarrely customer care — has he tried a call centre recently?) — with the basic idea being to combine the best of the two in terms of transport.

I have to raise a personal objection here: except possibly in regards to market failure (e.g. there’s no market for telecomms companies to put broadband on the Orkneys), I think it’s simplistic and frequently wrong to simplify this much: it’s a stale argument to assume that in some areas the private sector will always be better than the public sector (and vice versa). If you’re going to make that argument without something to back it up, it sounds simply as though you are trying to reinforce your own prejudices and a priori assumptions.

Anyway, moving on from Nick, next up was…

James Burke

…from Lovle. James, also known as @deburca, wanted us to consider what is likely to happen with the web in the next 20 years.

My somewhat cynical take on this was that the web over the next 20 years will seem to consist of a huge number of acroynms and neologisms (’the new…’, ‘web 2.0′) whereas in actuality it will simply consider evolving as it has done up to now.

One of the key things about the internet is that people don’t need to know how it works in order to create web pages. This is quite key. You get geeks like me who will carefully consider whether they should be using an em element for emphasis, and will deliberately choose which HTML is used to produce their required output, but you have so many people with WYSIWYG editors that anyone can add content to the web, whether or not they know how it works.

Some of the changes that have happened to the way the web is being used recently include the introduction of tagging, categorisation (folksonomy, if you will), databases and the idea of ‘teaching the machine’. James suggests therefore that the key elements to ‘web 2.0′ are collaboration and sharing. As opposed to say, rounded corners

James talked a little about open source and creative commons licensing — emphasising that this is not the same as dumping something in the public domain — which was probably completely new to half the audience (the ones with a ‘transport’ perspective, or ‘trannies’ as someone called them), and second nature to the technies in the audience.

He also pointed out that despite increasing assumptions of bandwidth consumption, not every great emerging new technology or service needs massive bandwidth: Twitter is one of those runaway success thingies but can run off very low bandwidth. He also made a reference to internet trolls but I was disappointed to see that no discussion of Godwin’s Law emerged.

In his thoughts on the net future, he also considered that more and more household appliances may become internet enabled (so you can maybe switch the washing machine on online so your clothes will be ready when you get home from work). Personally, I’m just after a toaster I can run off a USB jack. At least then I’d be able to make toast on the train.

The final person of the first session was the…

@Twitchhiker

…or @Paul_A_Smith as he is otherwise known. Paul studied astrophysics (so I suppose that makes him a rocket scientist?) before ending up working mostly in radio.

The tale of the twitchhiker is well worth a read in detail, but the basic premise is that Paul decided to see how far he could get — with no money for travel or accomodation — from his starting point, relying on the kindness and generosity of people who contacted him on twitter. I don’t want to give the game away — read the story yourself — but it’s not too much of a spoiler to suggest that if he’d only managed to make it from Newcastle to Cramlington it would hardly have ended up with him on telly in more than one country…

If you get the opportunity to hear Paul speak and relate his twitchhiking adventures, or if he finally gets round to getting it all written up properly and gets the book published, do not miss the opportunity. He’s certainly a good speaker.

Paul, not surprisingly, was talking mostly about the power of twitter, and why it’s suddenly taken off so well in 2009. He puts this mostly down (in the UK at least) to @stephenfry and Jonathan Ross. Stephen for his love of twitter, and his status as The Offical Uncle To The Entire Nation, and Jonathan because during his suspension from the BBC and the associated media witchhunt, the media were determined to get their claws in, so they’d talk about what he’d been saying on twitter, providing more publicity for Twitter in the process…

He also talked about how it has influenced and been used by the news: whilst frequently quoted and dismissed as seemingly banal (the answer of course to people worried about überbanality on twitter is simply don’t follow the boring people), the first pictures of the plane landed in the Hudson were posted on Twitpic by someone on a Hudson ferry.

There was also obviously the coverage and information about the recent Iranian election, where twitter was an essential way for information (and disinformation) to be spread. We’re at a stage now where 1 in every 350 visits to a website are from a link in twitter.

He provided examples of how twitter can be used by various companies for customer care and suggested that as far as councils go, Newcastle Council were leading the way in how to use twitter. Which is of course, entirely true, they’ve been doing a grand job and deserve all the credit coming their way. I’ll just re-iterate this any councils wanting to use twitter should use Newcastle as a model.

And by this point the smell of the cooking food was beginning to cause people to salivate and gnaw upon the table legs, so there was a unilateral declaration of lunch…

Find Your MP’s Expenses

After Parliament has published the MPs expenses claims in the greatest of detail, there would seem to have been no need for the Telegraph to publish any more information. Unfortunately, and presumably in order to save the taxpayer money, the printer used by Parliament appears to have printed huge black splodges over most of the pages, rendering important information illegible.

Some less generous interpretations have suggested that Parliament have done this deliberately, in order to keep certain things private, but I find it difficult to believe that our MPs would deliberately want to conceal this sort of thing from us.

Anyway, the Telegraph (probably along with every other media source) have put together a searchable database of MPs expenses. However they could maybe do with improving the ‘home’ page for that site, as if you try a cut-down version of the URL, you get this, which is somewhat less useful: other links on the site are also broken, but having been able to work out what they were supposed to be, I have managed to obtain this information without too much difficulty.

Obviously, I therefore felt obliged to look up my MP, one Dave Anderson by name. I was initially surprised to find that he wasn’t listed as an MP after all, before twigging that the official list has him down as ‘David’. Now for Dave, it’s not unreasonable to expect that his expenses would be higher than some MPs nearer Westminster, as he’s up in the North East, and is therefore likely to accrue more legitimate expenses in terms of accomodation and travel.

The fact he’s clocked up almost £10,000 in rail travel is therefore not surprising: although it is nice to see that Dave obviously prefers to travel by rail than air (less than £500 in air travel) as this is certainly better for the environment, and probably cheaper for the taxpayer too.

In terms of a second home allowance, he’s claimed quite a bit — over £20,000 per year — but as his second home is in London (where prices aren’t known for being cheap) and the claim is only for mortgage interest, I don’t really have a problem with this — when your constituency is more than 250 miles from Westminster, I think it’s reasonable to need a place a bit closer.

It’s also interesting — and to Dave’s credit — that the worst the Telegraph could come up with was that he had:

Claimed for furniture, washing machine and microwave. Claimed between £200 and £400 a month in foodTelegraph: Full List of MPs Investigated (Dave Anderson)

I don’t think it’s inappropriate for an MP to be able to wash their clothes, have somewhere to sit, and be able to heat up food in their second homes…

Nor has David Anderson employed any family members (although I don’t actually have a problem with this per se, as long as they actually do the work paid for, and it’s paid at a reasonable rate). Dave has not exactly been a cheap MP, with expenses of over £150,000 (although over £90,000 of this was staffing costs).

Nor can I find any reference to moat cleaning services or duck islands.

Now — entirely out of interest of course — I wonder whether any journalists will allow their expense claims to be subject to the same levels of scrutiny?

Working in Web Accessibility

This fall marks WebAIM’s 10th anniversary. During that time, the WebAIM team has evolved and changed a lot. The work WebAIM does is truly a team effort from a diverse group of men and women with whom it has been an honor to work and become friends.

Stefanie Walker and Aaron AndersenI’m especially happy to see two employees that I helped hire get married this month. Congratulations Aaron and Stefanie!

The field of web accessibility is not a typical work field. I struggle sometimes to explain what it is I do every day. I know my mother doesn’t really understand it. In many ways, those of us in web accessibility are trying to work ourselves out of a job. If we were entirely successful at what we want to accomplish, we’d no longer have work to do. Of course, that’s not likely to happen any time soon. Yet we try.

When people ask me how I became interested in web accessibility, I usually tell them that I love it because I’m a geek and I like people. Web accessibility gives me a unique opportunity to play with cool toys, learn amazing new skills, stay on top of new technology, but most importantly, to truly make a difference in the lives of people with disabilities.

While WebAIM’s mission is to expand the potential of the web for people with disabilities, it’s interesting that most of our work is not with people with disabilities directly. While the friendships and acquaintances we’ve made with many people with disabilities is what inspires us to do what we do, most of our days are spent working with and influencing those who typically do not have disabilities. We’ve found that by empowering web developers, administrators, and others to make their web sites accessible, that we have a broader, more significant impact on the lives of people with disabilities - those who benefit the most from the accessibility of the sites we help influence.

When WebAIM began, few people were aware of web accessibility issues. One of our primary goals has been to increase awareness. Today, while there is still debate in some places whether accessibility is even a human right, awareness has increased. Most people that we work with are aware of the issues and are truly interested in seeing the web become a better place for people with disabilities - and not simply because some law or policy says they have to. The dilemma of the next decade will be increasing commitment to web accessibility and dispelling myths and misunderstandings about accessibility and people with disabilities. We also have the ongoing challenge of decreasing the gap between cutting edge and accessible.

And we’re not alone in doing this. Some of the smartest, most passionate people on the planet work in web accessibility. I dare not name names, but I am constantly amazed at those in this field who continue to advance technology and accessibility.

So, while the field of web accessibility is a bit anomalous and always adventurous, there is tremendous need for intelligent, dedicated people to help further our efforts. As technology continues to advance, we need to redouble our efforts in ensuring that people with disabilities are given the opportunity to enjoy a truly accessible web experience. Why don’t you come join us?

TTMMHTM: Easy fixes for everything, Pirated HTML5, iPod vs. Walkman, Hubble data and Propaganda

Introducing The Open Web Education Alliance

The W3C recently announced an exciting new incubator group - The Open Web Education Alliance (OWEA) - that is certain to have a significant impact on helping web standards and best practices find their way into classrooms around the world. The mission of OWEA is to bring together companies, schools, and organizations involved in shaping the education of Web professionals to explore the issues around the topic of Web development education and create solutions for improving it.

Many organizations like Opera, Adobe, Yahoo, WOW, and WaSP InterAct have been diligently working to develop curricula and outreach programs to help schools better prepare their students for a career on the Web. OWEA will bring many education initiatives together in a broad collaborative.

“ The mission of the Open Web Education Alliance Incubator Group, part of the Incubator Activity, is to help enhance and standardize the architecture of the World Wide Web by facilitating the highest quality standards and best practice based education for future generations of Web professionals through such activities as:

  • fostering open communication channels for knowledge transfer
  • curriculum sharing between corporate entities, educational institutions, Web professionals, and students ”

- The Open Web Education Alliance Charter

OWEA’s origins can be traced back to Web Directions North in Denver in February, where WaSP emeritus and CSS Samuri John Allsopp brought together educators, industry experts, and representatives of the W3C to explore ways of uniting the various education efforts already underway. Four months later, OWEA has transformed from a collection of ideas at a meeting to a W3C incubator group. The Web Standards Project has a strong representation in OWEA, and will be contributing content from InterAct to the initiative.

This is a huge step towards improving web education! Want to stay informed? Subscribe to the WaSP InterAct Twitter feed.

Self-Publish Your Book: Guide To The Best Self-Publishing Services

When working with a traditional book publisher, you, the book author, give up a large degree of editorial control, and many times you have little to no input into the design and layout of your book, its distribution, and its marketing approach. Self-publishing allows you, the writer and author of a new book, to publish, print and distribute at a very low cost physical books on your own, bypassing at once the traditional, established publishing houses. book-self-publishing-best-tools-services-sell-promote-size485.jpg Photo credit: Tom Perkins As a matter of fact, the key distinguishing characteristic of self-publishing is the absence of a traditional publisher. Instead, it is you, the book author who fulfill this role, taking editorial control of the content, and leveraging one of the many self-publishing solutions available online to produce, print, ship, distribute and make a profit out of your writing / publishing skills. Self-publishers are not anymore those individuals who would go down to their trusted typographic shop and actually paid for the printing of their own writings. Successful self-publishers today leverage the benefits provided by print-on-demand services, where they need not to waste money on printing costs or on inventory and stocking fees. When customers order their books, self-publishing outlets like Cafepress, Lulu, Createspace and others will print on-demand as many book as needed and they will also ship them and get payments for them from those ordering. You, the book author, do not have to worry about anything but collecting your profits which are simply based on your chosen extra margin on top of the printing and shipping cost. As you, the book author, make the final price, you can decide how much to charge for each of your publications. These self-publishing services are a mix of print-on-demand (POD) companies and marketing and distribution venues, providing key opportunities for distributing your book on major book selling platforms, like Amazon and others. Typically these self-publishing services accept uploaded digital content as Microsoft Word documents, PDFs, text files or RTF files and book authors choose the type of format, size and design of their own publication. There is no money to be spent upfront, as the self-publishing company prints your book only when an order comes in. At that point, the self-publishing service charges you a base price for printing on demand your book but you decide what is the final price charged to a buyer, before shipping. That extra margin, on top of the self-publisher charges to you, is your book profit. This is how, without any upfront investment you can use one of these companies to bootstrap yourself into the independent book publishing universe. For an additional cost, a self-publishing service may offer additional services such as doing your cover design, review and proofread content, do indexing, proofreading and even promotion and marketing. Some, provide also the option to output your book optionally to an ebook format in addition to your hardcover and paperback editions, as some others will offer you the opportunity to get an ISBN (International Standard Book Number), which allows for your book title to acquire official "book" status and to become more easily found online. Key advantages of self publishing are:
  1. Retain the rights to your book.
  2. Take home a bigger royalty than you would normally get from a traditional publisher.
  3. Have complete control over your book. You decide format, paper quality, cover image and, most importantly, you set the price.
In this guide to the best self-publishing companies you can find a selection of the most interesting services as well as a comparative table facilitating your task of reviewing these key players and their offerings. Here all the details:




Best Online Services To Sell And Promote Your Book Comparison Table






Best Online Services To Sell And Promote Your Book


  1. Lulu

    Lulu allows you to create, publish, sell and promote your books, completely on your own. The service also helps you digitalize your existing books and take care of publication and sale only. Other than books, you can also create digital products like photos, music tracks, calendars, and ringtones. Lulu provides collaboration features like group blogs and forums where you can meet other people and receive feedback about your work. All books published with Lulu are labeled with an ISBN, a unique number that identifies your book inside bibliographic databases. Books submitted are automatically converted to PDF file, so you may want to check that formatting is perfectly preserved after uploading your book or, better off, directly upload a PDF file. When your book is ready for publication, you can set the price and sell it in ebook or print version. Purchasing one of the premium plan (starting at $369) you can also customize: binding type, paper quality, templates and book cover and have other extra features like the inclusion inside Amazon listings and advanced formatting capabilities. You can promote your books with a personal storefront, using Google Book Search (which also makes your book content indexed inside Google search results), or distributing your creations via Amazon (requires a premium plan). For each book sold using Lulu, you retain the 80% of the retail price.
    www.lulu.com





  2. CreateSpace

    CreateSpace is an on-demand commerce company owned by Amazon. You can take advantage of Amazon distribution service to sell your books and also convert your books into Kindle format. Other products you can sell via CreateSpace include CDs, DVDs, videos and ebooks. If you prefer to set a customized store to sell your books, you can create an eShop on your own website. CreateSpace assigns automatically to every book a unique identification number (ISBN). Customization options for your book include: binding type, cover images, internal images, and paper quality. Books must be submitted in PDF format. You can also join a community of other publishers to receive feedback on your book and perfect your creation. Your earnings depend on the solution you choose to sell your books: you can opt for a Standard (free) plan or a Pro plan, which costs you $39 per book plus $5 of annual renewal fee. The Pro plan lets you retain more for each sale while allowing customers to pay less when ordering copies of your books. The basic rule is you set a list price and Amazon charges a fee once the item is sold. The fee is 20% of list price for eShops and 40% of list price for books sold via Amazon. For a comprehensive overview of all pricing combinations, also depending on the type of book you choose (hardcover, softcover, black / white, colour, etc.) check the "Pricing and Royalties" page on CreateSpace website.
    www.createspace.com





  3. CafePress

    CafePress is a service specialized in user-generated commerce. You can choose an item inside CafePress catalogue, brand it with your company logo or your own images, and then buy your customized item to sell it. To sell your books, the e-commerce service creates a "shop", which is a personal storefront owned by you. When an item is sold on your shop, CafePress retains the base price (the price you paid to buy that item from CafePress) and you earn the markup you set above the base price. Books must be submitted using PDF format. Options to customize your books include binding type, cover image and internal images. To make sure your product is also indexed by search engines, CafePress provides a set of guidelines to obtain the best visibility for your customized items. You can open a Basic Shop for free, but only sell one of each of the products with your image(s) at a time. Premium shops starts from $6 for one month and allow you to sell unlimited items and access further customization possibilities regarding the layout of your shop. No free distribution via Amazon or writers feedback.
    www.cafepress.com





  4. Blurb

    Blurb helps you self-publish your own book for free, either in printed or digital format. You can submit your book using the free BookSmart software (Mac + PC) or just upload a PDF file. Once your book is uploaded you can customize a set of options to personalize your creation, these include: binding type, cover image, internal images, paper quality and Blurb logo removal from your book pages. You can also add an ISBN number to your book just by creating a JPG image (with or without barcode) and place it on your book. You can offer customers a 15-page preview of your book to help them evaluate a potential purchase. To ensure the right visibility off your books on search engines, you can add tags and set a category which your book fits in. You can also promote your book using a Blurb badge on your own website. Blurb forums are available to share ideas with other publishers and receive feedback and suggestions on your work. All pricing options are available on Blurb website, but a quick way to estimate how much your book will cost to you (and then the sell price) is to use the free Shipping Calculator. Whatever your earnings are, Blurb retains a $5 fee from your monthly profit. No free Amazon distribution.
    www.blurb.com





  5. Xlibris

    Xlibris is a "back office" that allows you to self-publish and sell your own books without head-scratching. After submitting your book (either in MS Word or RTF formats), a cover image, internal images, a customer representative helps you choose the best packaging that suits your needs and takes care of publishing and selling your book. First premium price level osts $299 and offers: custom cover, internal book design, ISBN assignment, and more. Besides hardcover and softcover options, Xlibris offers also leather-bound editions of your books. Ebooks are not available for the time being. Each book published with Xlibris has a unique ISBN, so that customers and bookstores can easily search your book inside bibliographic databases. The retail price of your book is determined by the options you choose when customizing the print options of your book: if you want to maintain control of your retail price (and the earnings you get out of that price) you can purchase the "Set Your Own Price" option for $249. To receive help setting the best retail price for your needs, use the free Xlibris Book Calculator. For each sale made on Xlibris you get royalties corresponding to 25% of the retail price. If your book is sold via Amazon (only available for premium plans and Black & White books) you earn 10% of the retail price. Each plan you choose has a fixed number of copies to print your books. No writers feedback.
    www2.xlibris.com





  6. Lightning Source

    Lightning Source offers a print and distribution model that takes care of all the hassle of publishing. You can have your books printed, distributed, sold and shipped using just one service. Ebook selling is also allowed. While Lightning Source can also drop-ship directly to customers, the company is partnered with all major book publishing distributors, including Amazon. Books can be submitted either in PDF or printed format. If you submit your work in print format, the service takes care to scan and digitalize your book for you. ISBN identification number is supported. Publishers can customize binding type, cover type (hard / soft), cover image and internal images of books using a dedicated free tool. The cost to access Lightning Source service is $12/year per book. When a book is sold, the service pays the publisher the wholesale price of the book, less the cost of printing the book. The cost of printing is based on a unit cost for each book plus a cost per page. No writers feedback.
    www.lightningsource.com





  7. CreateBooks

    CreateBooks is a book publishing service that assists you when self-publishing your work. CreateBooks has a particular focus on the physical crafting of your book. Books must be uploaded in MS Word format. The service also takes care of providing you with a valid ISBN and bar code, if you want to distribute your book inside bookstores (see pricing options for more details on the cost of these options). Also, depending on the pricing package you choose, you are allowed to choose between different print options for your books: cover (hard / soft), binding type, cover image and internal images. Profits from sales operated by CreateBooks are all retained by original authors. The service shares also a set of guidelines that may give you helpful suggestions and tips to obtain good rankings for your books inside search engines. Books published withCreateBooks are also published inside Google Book Search listings. Marketing supports to promote your book sales like business cards, posters, promotional book cover and other material are also available for purchase. Distrubition via Amazon is accepted. No writers feedback.
    www.createbooks.com





  8. UniBook

    UniBook is a virtual bookstore where writers and publishers can print, publish and sell their books. Books submitted must be in PDF or DOC format. UniBook allows you to customize: binding type, cover type, cover image and internal images. Ebooks are not available for the time being. For each book you submit you need to insert tags and choose a category, so that your book can rank inside search engines. UniBook has a free service to calculate the price your books is sold to customers: just choose a format, input the number of pages of your book and the percentage of royalties you want to earn from the sell. The service returns all the options you have and even the available discounts if you order large quantities of book copies. Whatever solution you choose, UniBook will retain the 50% of the retail price. Starting price to utilize UniBook services is $79, which includes 5 book copies and worldwide distribution. No free Amazon distribution nor writers feedback.
    www.unibook.com





  9. BookSurge

    BookSurge is a company that allows publishers and authors to self-publish a book and also take care of the sell process. Since BookSurge is a subsidiary of the Amazon group, you can distribute the book through Amazon bookstore and also convert your works into Kindle format (or into a traditional PDF ebook). You have to submit your work in PDF, DOC, RTF or TXT formats or send a print copy to BookSurge which takes care of digitalizing your manuscript. You can either purchase a Total Design Freedom Package to have complete control over the customization of your book (($799) or the Author's Advantage Publishing Program which offers a set of ready-made templates and limited customization options ($499). Options you can always customize inside your book (whatever pricing plan you choose) are: cover format, cover image, internal image, chapter titles, external / internal fonts and fleurons. BookSurge retains the 35% of the retail price of your book. There are several marketing options you can optionally purchase to increase the visibility of your book like posters, sell sheets, press releases, custom reviews and more (prices available on site). No writers feedback.
    www.booksurge.com





  10. Trafford Publishing

    Trafford Publishing offers a set of commercial solutions to print, self-publish and sell your book. Publishers can sell books either in print copies or digital format. No info is released on the format to subscribe your manuscript, tough guidelines are available inside the FAQ section of the website. First pricing plan starts at $799 and offers the following options: paperback format, custom cover design, author support, ISBN assignment, custom interior layout, Amazon distribution, and more. To have further customization options you need to upgrade to another pricing plan (starting from $1299). Your earnings are calculated as the 20% of the book sale. The retail price of your books is determined by the option you choose and the number of pages your book is made up. No writers feedback.
    www.trafford.com





  11. Spire Publishing

    Spire Publishing allows you to print and sell a manuscript of your book completely on your own. The service is available only for US and UK markets. Books must be submitted in PDF, DOC or RTF format. Ebook selling is not permitted. The first pricing plan you can purchase is the Print Ready Publishing plan, which allows you to get five paperback copies of your book: for $299 you get a custom cover image, ready-made design templates ISBN assignment, and more. If you prefer a hardcover instead of a paperback binding, the price raises to $549 (for three copies). These two pricing plans do not include distribution and sale of your book. To have your book sold via third-party bookstores (Amazon included) you have to purchase the Print Ready Plus Publishing plan (same options of the basic plan) at $399 for five paperback copies and $749 for three hardcover copies of your book. Your earnings consist of the retail price less the print cost of the book (which is the price you pay to Spire Publishing to buy your book). The print cost depends on the options you choose. On Spire Publishing website you can also find marketing tips and strategies to promote your book. No writers feedback.
    www.spirepublishing.com





  12. AutorHouse

    AuthorHouse is a self-publishing company that helps publishers and authors print and sell their works outside the traditional book publishing channels. Manuscript must be submitted in MS Word or Adobe InDesign 2, CS, or CS2 file formats. Ebook publishing is available. The first pricing level costs $549 and has the following features: custom cover, custom, interior layout design, ISBN assignment, Amazon distribution, and more. The price of your book depends on: book size, cover type (softcover or dust jacket), final page count, where the book is purchased, and the royalty percentage you choose. The royalties you can earn from AutorHouse depend on the retail price of the book and the amount of money you want to get from your book sale (10%, 20%, 30% or 50%). AutorHouse provides also a range of services to market and promote your book (prices available on the site). No writers feedback.
    www.autorhouse.com





  13. Infinity Publishing

    Self-publish company Infinity Publishing takes care of all the book publishing process following a print-on-demand-philosophy. Ebook publishing is not allowed. No information is provided on the file format to subscribe your manuscript. First pricing plan starts at $499 and covers all aspects of self-publishing your book: custom cover, distribution to third-party bookstores like Amazon, custom barcode, ISBN assignment, and more. You can also include a CD to ship with your book for $200 more. Other optional services include: Spanish translation, extended book distribution, marketing packages, advance reading copies (for reviewers and columnists) and book editing services (price details on the company website). Monthly royalties are paid on the selling price: 30% of retail, 15% of wholesale, and 10% on purchases by the author. Authors are also free to increase / decrease the price of their book within a 25%-75% range. Infinity published books are priced according to page count - the greater the number of pages, the higher the retail price. No writers feedback.
    www.infinitypublishing.com





  14. SelfPublishing

    SelfPublishing allows publishers and authors to print their works either in print or digital format. SelfPublishing does not take care of distributing or selling your work to book retailers. No information is provided on the file format to subscribe your manuscript. Book customization options include: binding type, custom cover design, custom book layout, and more. You can purchase a single ISBN license directly from SelfPublishing for $99. The self-publishing company has one pricing plan which costs $249 for three years. No writers feedback or Amazon distribution available.
    www.selfpublishing.com





  15. WEbook

    WEbook is a free book publishing service based entirely on social collaboration. You cannot import your existing book, but only start your writing inside WEbook. The service community will assist you along the way with feedback and suggestions to help you perfect your work. To get in touch with other users you can access the forum, start a group, or comment inside the official blog. Once your book is ready, your work is reviewed and rated by the WEbook community which is the only subject that decides whether a book can be published or not. Only the highest-rated books are sold via WEbook. Ebooks selling or ISBN identification are not available for the time being. If you are allowed to sell your book, you can also share the revenues with the people that helped you improve your work with their feedback. Authors and major contributors receive 50% of all profits generated from the sale of WEbook titles. If you are allowed to sell your book, you can also share your revenue with those people that gave you helpful feedback. Inside WEbook website there are no info about binding types, paper quality or cover type options to personalize your book once published. The only choice you have seems to be to upload a cover image. Book published with WEbook are distributed via Amazon.
    www.webook.com

Other Self-Publishing Guides and Resources Worth Checking

  • Self-Publishing a Book: 25 Things You Need to Know ... The basic premise is anyone can become a small publisher. You call the shots. You retain the rights to your book. And you take home a bigger royalty than you'd normally get from a traditional publisher--if you sell any books. Against the advice of my agent, I began perusing the big self-publishing companies' Web sites and evaluating what they had to offer. Then I started poking around blogs and message boards to get customer testimonials. What I found was a veritable minefield with roads that forked in every direction and very few clear answers.

  • 6 Ways to Publish Your Own Book Online self-publishing services have given users the tools they need to create, publish and promote their work. These sites allow authors to bypass the process of finding an agent and pitching to publishing houses, a venture that can take months, if not years. Here are six great sites that will help you publish your work, guaranteeing you a published book that can be sold via different outlets, such as Amazon.

  • Lulu vs. CreateSpace: Which Is More Economical For The DIY Author? At the risk of coming off as some kind of Amazon shill, I'm afraid I've just got to blog about one of their services again: CreateSpace. I feel this is necessary because I keep seeing tweets, posts and Facebook notes from indie authors--especially authors outside the US---who intend to go through Lulu based in part on a belief that Lulu is the most economical choice for the services offered, and in many, many cases, this is simply not true.


Originally prepared by Robin Good and Daniele Bazzano for MasterNewMedia, and first published on June 29th, 2009 as "Self-Publish Your Book: Guide To The Best Self-Publishing Services".

Recession Impression: Digression not Depression

Hmm. I appear to be my own boss.

This is not exactly through choice; it’s because the recession has led to my employer feeling obliged to give me a month’s notice. After the initial bit of feeling somewhat shell-shocked, and saying things on the phone like “uh-huh. uh-huh” without really making a great deal of sense, I can start to gather my thoughts somewhat.

Firstly, I don’t have any particular axe to grind with my employers. These things happen, the recession isn’t their fault, and I’m sure that same as I would, they would rather things had turned out differently. Such is life.

Secondly, I’m not wallowing in self-pity. I know that some people, when laid off, feel worthless, and it can somewhat hit their self-confidence. Well, I’d like to assure my regular readers that you don’t have to worry about that with me. I am quite happy with my skill set and abilities (not that I wouldn’t be happy to develop new ones, mind you). Indeed, when you find people as brilliant as I am, it’s rare that they are as modest and self-effacing as me.

So this gives me a chance to be my own boss, work out something else (partnerships or some such) or otherwise find some other form of regular paid work. Possibly “in the middle of a recession” isn’t exactly the best time to be setting out to achieve such a task, but that is when these sorts of things tend to happen.

Obviously, should any of you wish to call upon my services, whether it be writing, web design, accessibility, data migration or whatnot, you can contact me through the usual channels.

And if nothing turns up quickly, I’ll just have to write a series of best selling novels about a boy wizard. Well, if it worked for J. K. Rowling…